• Home
  • Audition
  • Productions
  • Tickets
  • About
    • Board Members
  • Enrichment
    • Women's Project
    • For Kids
    • Acting Up
    • Trips
    • Internship
  • Support
  • Contact
  • Blog
  • Policies
Hamilton-Gibson Productions
  • Home
  • Audition
  • Productions
  • Tickets
  • About
    • Board Members
  • Enrichment
    • Women's Project
    • For Kids
    • Acting Up
    • Trips
    • Internship
  • Support
  • Contact
  • Blog
  • Policies

CONSIDERING ELEPHANT'S GRAVEYARD

9/17/2023

1 Comment

 
Picture
Considering Elephant's Graveyard     
​by Sean Bartlett


My career with HG so far is book-ended by Laramie Project and Elephant’s Graveyard. The two shows have many similarities and many possibilities for introspection as both an individual and as a member of a broader society. Both offer us a mirror that promises redemption if we look deeply and honestly.

That we are, this time, enacting an event from 1916 and can find so many parallels with contemporary society is a testament to the playwright's ability to encapsulate human nature as well as a depressing commentary on how long it takes our society to move beyond the baser nature of our existence.

What is justice? What is redemption? When should we respect the boundaries of community and when should we accept technology as it moves us beyond our prior limitations?

To say that my character struggles with this would be disingenuous, but he does present aspects of this struggle and clearly represents the need for defined rules and the perception of justice. The play itself, and the other characters, represent the bounds of true justice, even if my character is not able to look beyond his own limitations to perceive the broader reality. But, isn’t that an essential necessity for any consideration of justice? Don’t we need to be able to crawl inside the skin of each individual in order to see the truth of a situation? Theater is a great medium for exploring that, and this play does that in spades.

While we weave wonderfully from the sinner and the saint of womanhood to the complexities of the abused, yet loving, jester who serves as a reminder of how many seek redemption by oppressing those with the most sensitive natures. We sympathize with the trainer who embodies the capacity for love and question the ringmaster and tour manager as they are able to purely present capitalism with all its warts. We weave through many of the different aspects of humanity and are faced with bracing clarity how our limited perceptual boundaries inhibit our capacity for redemption.

Maybe we would all be better if we ate more peanuts. That, too, becomes clear once you see the play.




1 Comment
Brett Maynard
9/19/2023 09:46:16 pm

Very, very well said, Sean.

Reply



Leave a Reply.

    RSS Feed

    Archives

    September 2023
    August 2023
    July 2023
    June 2023
    May 2023
    April 2023
    March 2023
    February 2023
    January 2023
    December 2022
    November 2022
    October 2022
    September 2022
    August 2022
    June 2022
    May 2022
    April 2022
    March 2022
    February 2022
    January 2022

Hamilton-Gibson Productions
Providing opportunities for people of all ages to enrich and empower their lives through community performing arts.
OFFICE
29 Water Street, Wellsboro, PA 16901

PHONE
570-724-2079
  • Home
  • Audition
  • Productions
  • Tickets
  • About
    • Board Members
  • Enrichment
    • Women's Project
    • For Kids
    • Acting Up
    • Trips
    • Internship
  • Support
  • Contact
  • Blog
  • Policies