
Upcoming Auditions

Audition Dates:
Wednesday, April 22 @ 6:30pm
Thursday, April 23 @ 6:30pm
Saturday, April 25 @ 10:30am
Warehouse Gallery, 3 Central Ave., Wellsboro
Performances: July 9, 10, 11, and 12
Directed by Thomas Putnam
Music and Lyrics by Andrew Lippa
Based on the novel by Daniel Wallace and the motion picture by John August
Sponsored by Drs. Maria Cruz & Edgar Wong, Dr. Rick & Karen Doganiero, Partners in Progress, Inc., and the Morgan family
Step into a world of imagination, adventure, and unforgettable storytelling in BIG FISH, the musical, based on the novel by Daniel Wallace and film adaptation by John August. Follow Will Bloom's efforts to separate fact from myth in his dying father's stories. Roles: Edward – (plays old and young 15-60 years old). Edward is a charming, charismatic storyteller. A devoted yet absent father nearing the end of his life and wanting to reconnect with his son. He is comfortable in his own skin, but hopes for Will’s approval. He absolutely loves his wife, his son, and telling stories. Needs a big voice and serious character acting. Plays ages ranging from high school to late 20s/ young father to older sick man. Able to move but little real dance. This person carries the whole show with amazingly positive energy. Vocal Range G3-G5 Sandra – (plays old and young 20-55). Sandra is patient, calm – the perfect balance to Edward's enthusiasm. She adores and appreciates Edward and tries to bring reconciliation to her husband and son, both of whom she loves. Needs a big voice, expressive acting ability, and a good bit of dance ability. Needs to hold hard harmonies. Range G-E Will – (30 years old). Will is a critical part of the story. He is an earnest, serious, thoughtful young man wanting to reconnect with his storytelling father, but unable to appreciate Edward’s romantic view of life. He is a successful professional and new husband. He has to be able to take us on the journey of understanding and make us believe the complex relationship and final heartfelt embrace of his father’s legacy. Needs a strong tenor voice. No dance. Serious character acting. Range C#-G Josephine – (30 years old). Will’s wife. Successful adult, sweet, intelligent, compatible with Will. Josephine acts as the bridge between Edward and Will, explaining the deeper meaning of the stories. Often on stage. No dance. Serious character acting. Karl – the Giant. Edward’s best friend. Karl is shy, exceptionally intelligent, hermit--like, and has a quiet charisma. He needs a booming voice and large personality. Needs to be decently tall, but not a “giant.” Bass voice. Ability to walk on dry-wall stilts. Amos – circus owner. Amos is the rather eccentric, quirky owner of the circus that employs young Edward. He also happens to be a werewolf (in Edward’s tales). Needs an actor able to portray strong, outgoing personality and humor. Sings, but not necessarily great voice. Doesn’t need to move, but good stage presence essential. Funny character actor. Ensemble Actors: Needed: Actors who can sing, move, and act well. Play multiple characters in the show with LOTS of singing! Will play townspeople, fishermen, wedding guests, Ashton townspeople, college students, soldiers, Westerners, hospital Witch – Commanding performer with great confidence and storytelling ability. She convinces Edward to pursue a Big Life without fear. Needs belt voice, mezzo soprano. Some dance, could be extensive. Jenny Hill – plays young cheerleader to tired older woman (17-60 years old). Edward’s devoted, first girlfriend. She is beautiful, a dreamer. As the older Jenny, she is a very tired, disillusioned version of the younger Jenny. She has dignity and honesty. Needs loud belt. She is crucial in helping Will understand Edward and Edward’s motivations. Some movement, but serious acting needed. Don Price – (high school, college, and mayor, actor ages 17--45,). Older snarky bully. Sandra’s first fiancé. Needs a bigger than life acting style. Possible movement but not crucial. Zacky Price – (high school, college, and later, actor ages 14--45). Nerdy brother and shadow of Don Price. Doctor Bennett – considerably older man. Warm, kind, frank, soft-spoken friend and physician of Edward. Needs realistic actor. No singing or dancing necessary. Red Fang – assassin. World War II villain. Needs fight scene movement abilities. Ashton Mayor – Typical small town good-guy mayor personality. Alabama Lambs – two of Sandra’s friends (actors age 15--25). Perform with Sandra at the circus. Needs strong singing and dancing skills. Fisherman – hometown redneck. Needs strong singing and dancing skills Mermaid – Ensemble role that is movement based

Audition Dates:
Friday, May 15 @ 6:30pm
Saturday, May 16 @ 10:30am
Sunday, May 17 @ 5:00pm
Warehouse Gallery, 3 Central Ave., Wellsboro
Performances: July 31, August 1, 2, 7, 8, 9
Directed by Cosy Losinger
By Qui Nguyen
Sponsored by David Kenner Boley
with the Sister Jenny Charities
After losing her parents and younger sister in an accident, Agnes Evans embarks on a journey in both this world and her sister's fantasy role playing game in an attempt to find familial bonds that hadn't existed. Qui Nguyen's play is wildly creative, fun, and full of heart. Roles: Agnes Evans (20 - 35 year old female): Agnes is described as striving to live an absolutely average life and grew up in the average town of Athens, Ohio with average parents. Agnes is a 25-year-old English teacher at her and Tilly's former high school. Agnes decides to go on a D&D adventure in order to feel closer to Tilly, as they never had a close relationship. Tilly Evans (15 - 18 year old female): Tilly has a love for D&D adventures and anything classified as nerdy or geeky. Through the D&D module Agnes plays, it is learned that Tilly was facing her own challenges with her sexuality and bullying while she was still alive. Miles (20 - 35 year old male): Agnes's boyfriend of five years who lacks commitment and any sense of what is truly going on within his life. Orcus/Ronnie (15 - 18 year old male): A demon overlord of the underworld that holds onto lost souls or knows where to find them. He is obsessed with watching television. He is based on one of Tilly's friends named Ronnie. Vera (20 - 35 year old female): Agnes's best friend and the school counselor. Chuck (15 - 18 year old male): Dungeon Master for the group and helps guide Agnes on her journey to understand her sister Tilly. Lilith Morningstar/Lilly (15 - 18 year old female): Demon Queen and leather-clad warrior. Based on Tilly's best friend Lilly. Kaliope Darkwalker/Kelly (15 - 18 year old female): Supermodel and super strong Dark Elf. Based on Tilly's friend Kelly who is also the sister to Ronnie. Narrator (15 - 45 years old any age): Describes the events that unfold throughout the story. Has a strong voice like Cate Blanchett from The Lord of the Rings. Steve (15 - 18 year old male): A mage who continuously dies in funny ways. Based on one of Tilly's classmates. Farrah (20 - 25 year old female): A fairy, but do not let your eyes deceive you. She is one of the bosses that the party must face before the Final Boss. Evil Gabbi (15 - 18 year old male/female): A succubi cheerleader who torments the party. Based on one of the bullies that tormented Tilly. Evil Tina (15 - 18 year old female): A succubi cheerleader who torments the party. Based on one of the bullies that tormented Tilly.


This is a Women's Project Production
Audition Dates:
Saturday, August 1 @ 10:30am
Sunday, August 2 @ 6:30pm
Monday, August 3 @ 6:30pm
Warehouse Gallery, 3 Central Ave., Wellsboro
Performances: November 6, 7, 8, 13, 14 & 15
Directed by Jessie Thompson and Hazel James
By Morgan Lloyd Malcolm
Sponsored by The Ernest L. and Mildred Roberts Sweet Foundation, Linda Williams, Wellsboro Business and Professional Women, and Leete & Prough, PLLC
EMILIA is a dynamic, high-energy ensemble piece that blends music, movement, and storytelling to celebrate the life and legacy of one extraordinary woman. It is funny, fierce, lyrical, and unapologetic - a rallying cry across the centuries. We are seeking a diverse, committed, and enthusiastic cast of women and non-binary performers to bring this contemporary classic to life. All roles are open. Performers of all backgrounds and experience levels are encouraged to audition. This is an ensemble-driven show requiring a willingness to: •Develop a strong presence onstage and take creative risks •Work with heightened text and develop your vocal skills •Explore physicality and movement •Collaborate with your fellow cast members Audition material will be provided. Links to this material will be posted on the HG website by July 1. Principal Roles: Emilia (Adult) – The central figure. Intelligent, passionate, sharp-witted, and fiercely determined to have her voice heard. We follow her journey from youth to published poet. Person of color. Young Emilia – Emilia as a child/teenager. Curious, observant, imaginative; already questioning the world around her. Person of color. Older Emilia – A reflective, often more direct-address presence who helps frame the story and its legacy. Person of color. Lady Mary Sidney – Countess of Pembroke; educated, literary, politically aware. Represents female intellectual possibility within constraint. Susan Bertie, The Countess of Kent – A noblewoman and patron figure; independent and outspoken. Lady Katherine Howard – A courtly woman who reveals the precarious position of women at court. Lord Thomas Howard - He embodies the patriarchal values of the time, believing that women should be obedient, modest, and silent rather than intellectual or outspoken. Lady Margaret Clifford – A noblewomen who encourages Emilia intellectually and symbolizes women pursuing learning despite societal barriers. Lord Henry Carey (Lord Hunsdon) – Emilia’s patron and lover; powerful, charismatic, entitled. Alfonso Lanier – Emilia’s father, a court musician. William Shakespeare - Famous playwright who appears as one of the men in Emilia’s life. Alfonso Lanier Jr. - Emilia’s husband, through whom the audience sees how Emilia’s talents and ambitions are restricted. Ensemble: The remaining cast members form a highly active ensemble who: •Play courtiers, noblemen, priests, servants, and members of the public •Have dialogue and comment on the action. •Provide choral speech, movement, and musical elements •Frequently step in and out of historical and contemporary voice Important Note for Casting: The script is intentionally designed to be performed by women and non-binary performers only, including roles of male historical figures. Plot: Emilia tells the story of Emilia Bassano, a 16th-century poet widely believed by some scholars to have been the “Dark Lady” of Shakespeare’s sonnets — and one of the first published female poets in England. Plot: The play traces Emilia’s journey from her childhood in a household of court musicians, through her experiences as a young woman navigating the male-dominated world of Elizabethan England. Intelligent, ambitious, and fiercely independent, Emilia becomes the mistress of a powerful nobleman, discovering both the privilege and the limitations placed upon women of her time. Through love, betrayal, and societal expectation, she learns how deeply women’s voices are controlled and erased. After being cast aside, Emilia marries and attempts to conform to the role of obedient wife. Yet her creative fire refuses to be extinguished. In a bold act of defiance, she writes and publishes her own volume of poetry — Salve Deus Rex Judaeorum — becoming one of the first English women to assert her literary voice publicly. Told through a dynamic all-female ensemble, the play moves fluidly between past and present. Modern language, music, and movement collide with period drama as the performers reclaim Emilia’s story from history. The play not only chronicles one woman’s life, but also becomes a celebration of women’s resilience, creativity, and solidarity across generations.

